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How to Improvise on a Minor II-V-I (Lessons from Chet Baker)
When most players see a minor II-V-I, they tense up.
Dm7♭5. G7alt. Cm(maj7) or Cm6.
Suddenly it feels theoretical. Altered scales. Melodic minor modes. Diminished options.
But when you listen to Chet Baker, you hear something very different.
You hear clarity.
He wasn’t thinking in scales.
He was targeting chord tones — and simply connecting them.
That’s the shift.
Target. Connect. Resolve.
In this post, I break down three minor II-V-I examples from my Minor Chet Bake

Darren Lloyd
Feb 184 min read


Chet Baker ‘Line for Lyons’ – First 8 Bars Breakdown
A bar‑by‑bar breakdown of Chet Baker’s first 8 bars on Line for Lyons. Discover how he outlines harmony with chord tones and simple rhythm — and how you can practise it.

Darren Lloyd
Feb 63 min read


How to Play Chet Baker II-V-I Licks in All Keys
"Learn Chet Baker’s II-V-I licks in all keys for jazz trumpet. Step-by-step exercises, practice tips, and free Autumn Leaves solo in BMAC help you bring his lyrical style into your improvisation."

Darren Lloyd
Jan 244 min read


Jazz Improv: How to Target Chord Tones Jazz for Melodic, Connected Solos
Take your jazz solos from random runs to melodic storytelling by learning how to target chord tones. This guide for intermediate players covers chord tone mapping, guide tones, enclosures, and practice strategies to make your improvisation sound intentional and connected to the harmony.

Darren Lloyd
Sep 15, 20246 min read


How to Improvise Like Chet Baker – A Simple Diatonic Approach
Discover how to improvise like Chet Baker. Follow a simple diatonic approach with practical exercises to develop melodic, confident jazz solos.

Darren Lloyd
May 18, 20244 min read
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