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🎺 Unlock the Secrets of Bebop language: Free PDF + YouTube Lesson Inside!


Bebop Blueprint

Are you struggling to improvise over jazz chord changes using bebop language?


Wondering how the greats like Charlie Parker and Dizzy Gillespie made bebop sound so effortless?


In my latest YouTube video, I break down the essential bebop building blocks every jazz player needs to master—and I’m giving away a free PDF called the Bebop

Blueprint to help you get started.

✅ The Bebop Blueprint focuses on:

  • Chord tones and guide tones – the foundation of strong jazz lines

  • Approach tones – learning to hear your target notes

  • Chromatic enclosures – a must-know bebop device

  • Broken chords (aka the “Fats lick”) – a shortcut to authentic bebop phrasing


Whether you're a jazz trumpet player, saxophonist, guitarist or pianist, this simple method will show you exactly what to practice and how to sound more like a real bebopper—without getting overwhelmed by scales.


🎧 Watch the video and hear how these tools instantly improve your jazz soloing. Then grab the free PDF to use in your next practice session.



If you're serious about learning bebop language, this is the place to start.Don’t miss it—your bebop breakthrough is just one email away.


These are the images from the PDF in Bb, but it also comes in C, Eb and bass clef eith three different tempo backing tracks!


Download it here (join the newsletter)



Bebop language free pdf resource
Guide tones - Chord tones

Bebop language free pdf resource
Approach tones, learn to hear the notes you are targeting, super importnant.

My favourite, chromatic enclosures. Such great sounding bebop language!

Bebop language free pdf resource
I stole this from the great Fats Navarro. Practicie it to get it into your ears and fingers!

Bebop language free pdf resource
Put it all together and what do you have, authentic bebop language!







 
 
 

1 Comment


Darren, you are by and far one of the gazzilions of teachers that I spend any time reviewing content. My main hurdle is muscle memory. At 68, it seems so much more difficult to even memorize familiar tunes. Improvisation is the ultimate zen for any musician but not “seeing” a keyboard or guitar frets but rather 3 valves is a quadrupling difficulty. I adore my horns as I do the effort you put into making sense of the jazz nomenclature for us. Btw, I am quite happy just playing music minus one but my goal is to get away from the paper. Simple triad memory work is challenging but I know I won’t be comfortable unless I can “see” these…

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