Jazz Improvisation practice: If You Don’t Know What to Practise, Read This
- Darren Lloyd

- Feb 19
- 3 min read
Updated: Feb 20
If you’ve been trying to improve your jazz improvisation for a while, you probably recognise this feeling.
You practise.

You run scales.
You learn a lick from a video.
You try to apply it over a backing track.
You transcribe a few bars of a solo.
You’re putting the time in.
But you’re not completely sure anything is sticking.
Some days feel good.
Other days feel like you’ve gone backwards.
Underneath it all is the same quiet frustration:
What am I actually supposed to be practising?
The Real Problem Isn’t Ability
Most players assume they’re stuck because they don’t know enough theory.
They think they need more scales. More altered options. More advanced harmony.
Usually that isn’t the issue.
The real problem is lack of structure.
There is so much jazz information available now that it’s easy to practise a lot… without moving forward clearly.
Practice becomes horizontal.
More scales.
More licks.
More concepts.
But very little depth.
And without depth, nothing settles.
Jazz Improvisation practice
Why It Feels Like You’re Not Improving
Jazz improvisation doesn’t improve through accumulation.
It improves through organisation.
To genuinely move forward, you need six things working together.
1. Clear Chord Tone Awareness
Not just scales, but hearing and targeting the 3rds and 7ths that define harmony.
2. Real Jazz Language
Phrases that come from the tradition. Vocabulary that actually sounds like jazz.
3. Application to Real Standards
Concepts only become musical when applied to actual tunes.
4. Repetition Over Time
Not trying something once and moving on. Living with it long enough for it to settle.
5. Progressive Structure
Material that builds week by week, not random topics that don’t connect.
6. Guidance and Feedback
The ability to ask questions.To check if you’re on the right track.To stop guessing.
Most players try to work on all six… randomly.
That’s exhausting.
And that’s why progress feels inconsistent.
What a Proper Practice Framework Looks Like
Instead of deciding every week what to work on, imagine having:
A focused lesson built around one clear concept.
A full written solo demonstrating that concept in context.
Backing tracks to apply it immediately.
Clear explanations of what to listen for.
Lessons that sole focus is to develop the fundamental skills needed to help in jazz improvisation.
Not more information.
Just organised information.
When practice has direction, something shifts.
You start recognising patterns faster.You hear harmony more clearly.Your phrasing becomes more intentional.
Jazz stops feeling chaotic.
Why I Built Jazz Etudes
After years of teaching, I kept seeing the same thing.
Good players. Motivated players. Completely unsure what to practise next.
So I built something simple.
A structured monthly jazz lesson.
Jazz Improvisation practice
Each month includes:
• A focused concept
• A complete solo demonstrating that idea
• Backing tracks
• Clear musical context
• Material organised progressively
Inside the membership there are currently (at the time of writing this blog post):
• 19 structured lessons
• 19 full jazz solos with demonstrations
• Backing tracks
• All available immediately
A new lesson is added every month.
It isn’t just content.
It’s a framework.
Level 3: Where You Stop Practising Alone
Even with structure, many players still struggle with one thing.
They practise on their own and wonder:
Is my phrasing convincing?
Is my time feel solid?
Am I outlining the harmony clearly?
Am I overcomplicating things?
Level 3 exists for that reason.
Level 3 members can join a monthly Zoom session where we now go deeper into the material.
You can:
• Ask direct questions
• Get clarification on the lesson
• Play and receive feedback
• Hear how other players are approaching it
• Get guidance on what to focus on next
If you upload a solo for feedback, you do not even have to have your name out there, it can be incognito! So zero pressure!
It’s not about pressure.
It’s about direction.
Sometimes just knowing you’re working on the right thing changes everything.
If You’ve Been Feeling Stuck
You’re not behind.
You’re not incapable.
You probably just haven’t had a clear system yet.
Jazz improvisation becomes far less intimidating when your practice has structure, progression, and guidance.
For $15 a month, you get access to everything inside Jazz Etudes — all 19 lessons, 19 solos, backing tracks, and ongoing monthly material — with the option to go deeper through
Level 3 if you want interaction and 30 day practice plan (not generic but tailored to what I hear in your sol0) .
Send One Solo, Get One Month of Practice Mapped Out!
If you’re tired of guessing what to practise, this gives you a clear path forward.
Clarity beats complexity.
Every time.
Join level 3 here - Buy Me A Coffee Monthly Membership




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