top of page

Chromatic Enclosures for Jazz: Stop Playing Straight Bebop Lines

If your jazz lines are starting to sound a bit straight, predictable, or “scale-y,” chromatic enclosures are one of the fastest ways to add real jazz language to your playing.

In this short post, I’ll show you how to use chromatic enclosures over a simple ii–V–I in C major, starting with the most important thing of all: target notes.


Get a jazz trumpet solo on 'On green Dolphin street' (can you spot the chromatic enclosures?



The Vehicle: ii–V–I in C Major

We’ll use this progression:

  • Dm7 → G7 → Cmaj7

Instead of thinking in long bebop lines, we’ll focus on landing clearly on strong chord tones and decorating them with chromatic movement.


Step 1: Target the root on Beat 1 (Ascending)

Start simple.

For each chord, aim for the root on beat 1, moving upward through the progression:

  • Dm7 → D

  • G7 → G

  • Cmaj7 → C

Targeting roots on beat 1
Targeting roots on beat 1

At this stage, don’t worry about being fancy. This alone already gives your solo clarity

because the listener can hear the harmony moving.

If your lines don’t sound clear, it’s often because the target notes aren’t clear.

Step 2: Enclose the Target Note

Now we make it sound like jazz.

To enclose a note, approach it as such below!

There are other ways but for now, let's not get overwhelmed!

Chromatically enclosing root target notes on beat 1
Chromatically enclosing root target notes on beat 1

Step 3: Target the 3rd on Beat 3

Once beat 1 feels solid, add another strong anchor point.

Now aim for the 3rd of each chord on beat 3:

  • Dm7 → F

  • G7 → B

  • Cmaj7 → E

Again, keep it simple at first:

  • Target the note cleanly

  • Then add chromatic enclosures leading into it

This creates a line that:

  • Clearly outlines the harmony

  • Swings naturally

  • Sounds intentional rather than random

Targeting 3rds on beat 3
Targeting 3rds on beat 3

Step 4: Enclose the (3rd) Target Note

Now we make it sound like jazz.

To enclose a note, approach it from as such

Again, there are other ways but for now, let's not get overwhelmed!

Chromatically enclosing the 3rds target notes on beat 3
Chromatically enclosing the 3rds target notes on beat 3

Why This Works So Well in chromatic enclosures jazz

Chromatic enclosures work because they:

  • Create tension and release

  • Emphasize strong chord tones

  • Break you out of straight scale patterns

  • Make even simple lines sound musical

You don’t need faster fingers — you need better note placement.


Step 5: Put together chromatic enclosures jazz

Now we make it sound like jazz.

Chromatically enclosing beats 1 and 3 with bebop chromatic enclosures
Chromatically enclosing beats 1 and 3 with bebop chromatic enclosures

Take It Further

If you want to hear chromatic enclosures used in real musical context, check out my jazz trumpet solos and etudes, where these ideas are applied over full standards.

Some of them are available as free downloads and come with backing tracks, so you can practice this language immediately.

👉 Grab a free jazz trumpet lesson below and start applying chromatic enclosures today.

In the lesson I have a whole chorus of 'Happy birthday' using chromatic enclosures as well as a host of other bebop elements!


From my monthly jazz membership at Buy Me A Coffee



Get a jazz trumpet solo on 'On green Dolphin street' (can you spot the chromatic enclosures?



Check out the solo here -


ere is a video I created a while back on chromatic enclosures


 
 
 

Comments

Rated 0 out of 5 stars.
No ratings yet

Add a rating
bottom of page